Death Above the Line

Lights, camera, action, and murder.

How did Zephyrette Jill McLeod wind up in front of the cameras?

She met a director on the California Zephyr and he says she’s “perfect for the part” in his film noir. Of course she is, she’s playing a Zephyrette. But this train isn’t moving on the tracks. It’s a warehouse that’s been turned into a movie set.

Jill’s temporary job as an actress could be a lark. But dark conflicts swirl around the cast and crew. The icy blond actress, the rugged leading man, the supporting players, even the production staff, have secrets they’d rather not share.

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